I may slightly prejudiced because we do have Louisiana roots, but I thought Tammy has hit on a key element in jewelry making. (Hope I'm not violating some kind of copyright, since I am crediting this article.)
|     Lagniappe for Jewelry Design:   The Value of a Little Something Extra 
 This month I've officially been a southwest   Louisiana resident for one year. What a year! The music, the food, the   people, the environment--sometimes it feels like being in a different   country, and I just love it. I've slowly picked up the vital terminology,   such as "cher"   for a term of endearment for a loved one, "sha" when you see something incredibly   sweet or precious, the French "oh,   mais non!" when something simply won't do, and "lagniappe" for a   little something extra. The idea of lagniappe (pronounced LAN-yap) has been around   for centuries. Mark Twain writes (hilariously, of course) about learning the   "limber, expressive, handy word" lagniappe in his 1883 book Life on the Mississippi:   "We picked up one excellent word-a word worth travelling to New Orleans   to get. . . . We discovered it [in] a column [in] the Picayune the first day;   heard twenty people use it the second; inquired what it meant the third;   adopted it and got facility in swinging it the fourth." 
 Twain writes that when a child (or an   adult, even) buys something in a shop, the typical response is "give me   something for lagniappe," to which the shopkeeper tosses in a little   something extra--an extra piece of candy, or bread, or whatnot, "gratis,   for good measure." Lagniappe isn't just an extra thing,   though; it can be added compliment, affection, or feeling. Twain continues,   "When you are invited to drink, and this does occur now and then in New   Orleans-and you say, 'What, again?--no, I've had enough;' the other party   says, 'But just this one time more--this is for lagniappe.' When the beau   perceives that he is stacking his compliments a trifle too high, and sees by   the young lady's countenance that the edifice would have been better with the   top compliment left off, he puts his 'I beg pardon--no harm intended,' into   the briefer form of 'Oh, that's for lagniappe.'" 
 I've become so enamored by the sweet idea   of lagniappe--especially during a time when everyone is cutting back instead   of giving--that I try to carry it with me everywhere I go and expand the idea   to every part of life. It even applies to jewelry design. I might have lost you just then--but hang   with me. Within a single jewelry design, sometimes it's that little something   extra--the small contrasting punch of color, a bit of sparkle, some soft   fibers or ribbons--that brings a piece full circle and completes the design.   It's hard to describe it, but you've all felt that little click when your   jewelry design just comes together. You know it when you see it. 
 When designing a piece of jewelry,   sometimes it takes some experimenting to discover just what the lagniappe   will be, but no piece is complete without it. It could be ribbon that softens   a wire or beaded jewelry design, a shape that adds balance to the whole   piece, or a pop of color that draws your eye into the details of the design.   Even the simplest jewelry designs have it, and sometimes there's more than   one. For me, the little extra touch that brings   my jewelry designs together recently is color, and that is most often   achieved by the addition of ribbon or other fibers. When I participated in   the Bead Soup Blog Party last fall, my necklace had three lagniappe jewelry   design elements in it: the addition of a short piece of ribbon knotted onto   it, a surprising punch of red among all the green, gold, and blue hues; and   the idea of four focal pieces that allowed the wearer to choose from   "four fronts." 
 Sometimes the lagniappe is the final   element that you test in your design when you finally know it's right, or it   could be the element that a friend points out specifically when commenting on   one of your jewelry designs--something like, "Oh cher, I like that   necklace! I love the bit of blue ribbon," or "Sha! Look at that cute   little bird on your bracelet!" That's how you know your jewelry design   is finished, with lagniappe! If you want great ideas on ways to add some   lagniappe to   your jewelry designs, check out Lorelei Eurto and Erin Siegel's new book, Bohemian-Inspired Jewelry: 50   Designs Using Leather, Ribbon, and Cords. The colorful,   nature-inspired jewelry designs in this exciting new book show that Lorelei   and Erin understand the idea of lagniappe   or a little something extra in jewelry design. 
 In their introduction, the authors share,   "A few years ago, we both started adding leather, ribbons, and cords to   our jewelry designs to set them apart in the crowded sea of bead and wire   jewelry. Today, the contrast of soft fibers against beads and metal continues   to captivate us." That's lagniappe! That's the little something extra   that will set your jewelry designs apart. Pre-order your copy of Bohemian-Inspired Jewelry . . . because who   doesn't love that little something extra?   |        |       
 
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